A difficult task, with the etymology confront the Nazi symbolism to analyze the sources and history to trace, since it dates back far from their origin (The Germanic / Nordic mythology) went through dozens of arbitrary interpretations and transformations, and learned from the mere ignorance of their true origin in the Third Reich various delusional interpretations and new appointments. This challenge has, Rüdiger Sünner in his documentary, "Black Sun" is set. He succeeds only partially, to overcome them. It is characterized by impressive on what 'traditional theory', the esoteric spinning of Hitler, Himmler, Hess & Co based and covered quite plausible that they were not irrelevant to their motives and actions. The chronology extends from Helena P. Blavatsky, the founder of Theosophy, of Guido von List up to Rudolf von Sebottendorf, the founder of the Thule Society, whose members had also Hess and Hitler was not the guest rare. Managed is also the display and emphasis on the centrality of the mystical reference in the 'everyday' of the Third Reich, by the architecture and settled 'happenings', such as the formation of a giant light-Monuments of headlights, the more than 140,000 people attended, or the formation of giant human swastikas, torchlight etc. The proven popularity of such archaic 'happenings' fits so not here to present the history, the Germans Dernach victims of a maniacal leader elite had been, or at least all have only themselves to endure. Unfortunately, this statement is only implicit, hidden in the pictures.
Sünner stresses although again the "uncritical" and "wilkürliche" exploration of the Teutonic mythology by the Nazis, which did not allow falsification - where no knowledge could be won, it was invented simply - but this is probably just to turn the argument that exempt from the 'defiling' by the Nazis to. He does this by never tires to use phrases such as 'excessive use', 'abused' or 'exaggerated'. Under complex and dangerous ideas, such as that the poor German people by Hitler through this so effectively powerful symbolism by surprise and thus virtually seduced to NS was, or that the flawless in itself racist theories Helena of the P. Blavatsky 'abuses' were, his claim disqualify purely 'scientific' study of the subject.
In his account of the history of seemingly harmless Teutonic rites to NS 'instrumentalization' ignores it completely, as these archaic cultures / rites have fascist tendencies are enrolled in the core and is therefore also very consistent not the question of why these edifice as a blueprint for the Nazi ideology worked so well. He merely stated that people like Hitler and Himmler were interested much - why was that he concealed his care or by affirmation. The author tried again and again, the sameness of it well anthropological constant of the metaphysical need, which for him probably quite naturally lead to find the 'original' (Germanic) culture must be washed clean by the Nazi use. If you follow the allusions Sünner, it was probably a completely natural desire to follow the populist zusammenzurotten and archaic rituals that rule out completely the individual and all external and modernity as 'cool', 'decadent', etc. represents - it's just not allowed to 'exaggerate', for example, by murder of millions. This crude logic culminates in the conclusion of the film by a resume, which mutatis mutandis said if we do not moderate relative to its own cultural development, would be collected by foreign cultures - accompanied this was visually sophisticated scenes, such zBdie a movie theater, which, as foreign 'culture temple' was called. More resentment does not go ...
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